出生年份： 1919~年
擅 长： 水粉水彩,油画,国画
毕业院校： 其他学校
| 创作年代 | 1999年作 | 尺寸 | 96*82cm |
|---|---|---|---|
| 材质 | 水墨设色 · 宣纸^_^ Ink and colour on rice paper |
装裱 | |
| 题材 | 所属系列 | 《耕耘与奉献：吴冠中捐赠作品集》在线 | |
| 作品描述 | 上海美术馆藏^_^ Collection of Shanghai Art Museum 殷红的太阳在地平线上升起来，又在地平线上落下去，人们往往不易区别作品中表现的是晨曦与夕阳，然而人生的晨曦与夕阳却是那么分明，会有人错认青春与迟暮吗？人们爱青春，也爱迟暮吗？旭日东升，夕阳西下，虽相隔只12个小时，但她们永远不会相见。有一日她们真碰面了，那是青春与迟暮的拥抱，人之始与人之终的交接，父与子的继承。太阳，独自悠悠在寰宇循转，无端被晨曦和夕阳各分了一半，难道只是缘于对人生朝暮的呼应？ The bright red sun rises from the horizon, and then sets below the horizon, thus the audience usually has difficulty to discern whether the painting presents the morning sun or the setting sun. However, life’s morning sun and setting sun are so different, would anyone mistake youth for old age? Do people love youth and also love old age? The morning sun goes up in the east, and the setting sun goes down in the west, though there is only 12 hours between them, they would never meet each other. If one day they really meet, that’s the embrace between youth and old age, the handover between human’s beginning and human’s end, the inheritance between father and son. Cycling leisurely alone in the universe, the sun is separated by the morning sun and the setting sun for no reason, and is it only for the correspondence to morning and twilight in life? |
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